It was a banner year for horror, which not only dominated commercial markets but also broke through the awards barrier. The Oscars shortlist highlighted the genre’s critical success by recognizing ...

What's your favorite scary movie? When putting together this 2025 ranking, that delightful horror-film catchphrase suddenly became an impossible question. Ranking these movies felt like an impossible ...

Typically around the holidays, most people gravitate toward movies that are more cheerful than “Bah! Humbug!” But some people crave more than the cartoonish pratfalls of Home Alone or the cozy ...

In the age of cancel culture and social media, will the “Scary Movie” franchise’s typical controversial jokes still land? These are the questions actress Regina Hall asked herself before signing on to ...

Brad LaCour is a Senior List Writer for Collider. Based out of Los Angeles, California, Brad lives close enough to the stars but is too busy to find out where exactly they live. Brad is fairly certain ...

You wouldn’t call 2025 an “off” year for horror — more like an odd one. Both A24 and Neon continued to back several scary-movie auteurs (the prolific Osgood Perkins, the brothers Danny and Michael ...

It’s hard to look at the astounding box-office and critical success of Sinners and Weapons and say 2025 was not a great year for horror. And yet, here I am, bravely doing it anyway: 2025 was not a ...

How do you top “Five Nights at Freddy’s,” the video game movie adaptation about murderous anthropomorphic robots? If it's a battle for insipid nonsense, the answer is blindingly clear: “Five Nights at ...

From ‘Fackham Hall’ to ‘Spaceballs’ and ‘Scary Movie,’ the once moribund comedy subgenre improbably is finding its way back to theaters. By Ryan Gajewski Senior Entertainment Reporter Surely we can’t ...

Our film critics rank their 10 favorites of the year. By Manohla Dargis and Alissa Wilkinson Manohla Dargis It was another great year for the movies and another horrible, hair-on-fire year for the ...

2025 was a year that posed a lot of questions for movie lovers: Did the success of Sinners prove that there was still a mass audience hungry for original (read: non-IP) stories on a blockbuster level?