One of my favorite film anecdotes concerns a prominent local movie critic at a press screening last year of FUNNY GAMES. When the film broke about two-thirds the way through the movie, and the lights ...
Wes Craven’s low-budget shocker The Last House on the Left (1972) was notorious for its physical and psychological brutality, though its apologists have praised its sharp-edged story, in which victims ...
Melissa Trejo is a Film and Television features writer here on Collider. Born and raised in the rougher parts of South Los Angeles, Melissa always loved the magic of storytelling from an early age.
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