German Expressionist films are not exactly popular fodder for the contemporary remake machine. Most are silent and at least a century old, and almost all of them are the product of artists tapped into ...
George Grosz, “Attack (Attentat),” 1915, lithograph in black on laid paper. (National Gallery of Art/Purchased as the gift of Richard A. Simms and Ailsa Mellon Bruce Fund/Estate of George ...
The works that best exemplify a uniquely German grotesque in Reexamining the Grotesque are those that reflect the war and Weimar years. With Franz Marc and August Macke: 1909-1914, the Neue Galerie ...
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